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CINEMATOGRAPHY: THEORY AND PRACTICE. IMAGE MAKING FOR CINEMATOGRAPHERS AND DIRECTORS 3E
Título:
CINEMATOGRAPHY: THEORY AND PRACTICE. IMAGE MAKING FOR CINEMATOGRAPHERS AND DIRECTORS 3E
Subtítulo:
Autor:
BROWN, B
Editorial:
CRC PRESS
Año de edición:
2017
ISBN:
978-1-138-94092-5
Páginas:
422
49,50 €

 

Sinopsis

The world of cinematography has changed more in the last few years than it has since it has in 1929, when sound recording was introduced. New technology, new tools and new methods have revolutionized the art and craft of telling stories visually. While some aspects of visual language, lighting and color are eternal, shooting methods, workflow and cameras have changed radically. Even experienced film artists have a need to update and review new methods and equipment. These change affect not only the director of photography but also the director, the camera assistants, gaffers, and digital imaging technicians.

Cinematography: Theory and Practice covers both the artistry and craftsmanship of cinematography and visual storytelling. Few art forms are as tied to their tools and technology as is cinematography. Take your mastery of these new tools, techniques, and roles to the next level with this cutting-edge roadmap from author and filmmaker Blain Brown.

Whether you are a student of filmmaking, just breaking into the business, currently working in the industry and looking to move up to the next level, or an experienced professional who wants to update their knowledge of tools and techniques, this book provides both a basic introduction to these issues as well as more advanced and in-depth coverage of the subject.

The companion website features additional material, including lighting demonstrations, basic methods of lighting, using diffusion and other topics.

Topics Include:

Visual language
Visual storytelling
Continuity and coverage
Cameras and digital sensors
Exposure techniques for film and video
Color in-depth
Understanding digital images
Waveform monitors, vectorscopes, and test charts
Using linear, gamma, and log encoded video
Image control and grading on the set
The tools and basics of film lighting
ASC-CDL, ACES and other new methods
Optics and focus
Camera movement
Set operations
Green screen, high speed and other topics



Table of Contents

Introduction

Writing with Motion

Visual Language

Language of the Lens

Visual Storytelling

Coverage & Continuity

Color

Cameras & Sensors

Measurement

Exposure

Linear, Gamma, Log

Image Control & Grading

The Tools of Lighting

Lighting Basics

Optics & Focus

Camera Movement

Set Operations

Data Management

Technical Issues

Acknowlegements

About the Website

Bibliography

Film Formats