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Librería Portfolio
Features
Insight into both mainstream and independent cinema
Scientific reliability
Easy readability
Social and cultural context
Summary
Through the analysis of the work of the main Japanese animators starting from the pioneers of 1917, the book will overview the whole history of Japanese animated film, including the latest tendencies and the experimental movies. In addition to some of the most acclaimed directors Miyazaki Hayao, Takahata Isao, Shinkai Makoto, Tezuka Osamu and Kon Satoshi, the works of masters of animation such as Kawamoto Kihachiro, Kuri Yoji, Ofuji Noburo and Yamamura Koji will be analysed in their cultural and historical context. Moreover, their themes and styles will be the linking thread to overview the Japanese producing system and the social and political events which have often influenced their works.
Table of Contents
Chapter 1 Who and When
Chapter 2 From Santa Giuletta to Buenos Aires
Chapter 3 The First Years in Argentina
Chapter 4 A Meeting with Federico Valle band an Introduction to Animated Caricatures
Chapter 5 Taborda, Cristiani, and El Apóstol
Chapter 6 The First Feature Length Animated Film in History
Chapter 7 ?The Cristiani Family
Chapter 8 Sin Dejar Rastro
Chapter 9 Early Animation and the Feature Film
Chapter 10 Federico Valle
Chapter 11 Sports, Satire, and Science in Short Films of the 1920s
Chapter 12 Cristiani in Advertising
Chapter 13 The Most Ambitious Project of the Estudios Cristiani
Chapter 14 Peludópolis: The First Animated Feature Length Film with Sound
Chapter 15 Cristiani as an Entrepreneur
Chapter 16 Constancio C. Vigil and the Story of El mono relojero
Chapter 17 El mono relojero on the Screen
Chapter 18 The Pioneer from Santa Giuletta and the Wizard from Burbank
Chapter 19 Cristiani's Legacy
APPENDIX 1: Historical Notes,
APPENDIX 2: Cinema, Theater, Radio, and Comics,
APPENDIX 3: Spurlos Versenkt,
APPENDIX 4: Andrés Ducaud-Following Cristiani's